2012 Black German Heritage and Research Association Convention Videos Now Online!
(Source: blackgermans)
2012 Black German Heritage and Research Association Convention Videos Now Online!
(Source: blackgermans)
noiseaux-spectrum
Noah Sow’s accomplishments are as numerous as they are wide-ranging: she is the founder of the first and only Black German media watch organization, Der Braune Mob, for many years she was an influential radio host on the German public stations HR, WDR, RBB, and SWF, she appeared as a judge on the German (American Idolesque) reality singing competition show, Popstars, and she wrote one of the most important books about everyday racism in Germany, Deutschland Schwarz Weiss (2008).
Sow’s greatest contribution to Black art in Germany and beyond has been the music she has produced under the guise of Noiseaux. With the release of her outstanding second album Spectrum, Noiseaux joins the ranks of recent performers such as J*Davey, Ebony Bones, Candy Coated Killahz, Noisettes, Blood Orange, Idle Warship, Gordon Voidwell, Santigold, Kele Okereke, The Black Kids, and Kenna, who have all reclaimed the attitudes and sounds of early 80s New Wave and Synthpop—in hindsight presumed to be lilywhite for those who don’t know better—for contemporary Black music. Though these genres are now not considered to be a part of Black music proper, they were always much more diverse than assumed in hindsight.
Besides the obvious stature of Grace Jones as one of the most important musicians in New Wave and Donna Summer’s role as the originator of electronic pop music as we know it today, we could also name Kid Creole and the Coconuts, Thompson Twins, Rip Rig + Panic, Nona Hendryx, Z-Factor, Fun Boy Three, Jo Boxers, Big Country, Bus Boys, Haircut 100, Belles Stars, Culture Club, Romeo Void, Bow Wow Wow, Savage Progress as non-lilywhite New Wave groups. The list doesn’t include those primarily Black musicians of the early 1980s categorized as R&B or synthesized funk (The System, Loose Ends, Zapp, etc.) due to the segregated radio landscape in the US. Moreover, British Synthpop was popularized in the US by Black radio before the advent of MTV. Many white British Synthpop groups (Scritti Politti, The Human League, for instance), their sound already an amalgam of mechanized instruments and singers that emulated Black musical idioms, hired American R&B producers after they had become successful. This includes Kraftwerk, who, Inspired by the success of ‘Trans-Europe Express’ on US Black radio and in clubs, employed Leanard ‘Colonel Disco’ Jackson, an African American mixing engineer that had worked with Rose Royce and Undisputed Truth, to mix their 1978 breakthrough album, Man-Machine. This is just to say that there are many more crossovers between New Wave/Synthpop and Black music than initially meets the ear, a fact that Spectrum highlights so stunningly.
With the exception of “What I Want,” which features a verse by transgender vocalist Msoke with whom Sow collaborated on the Afro-German women’s collective, Sisters’ album Gender Riots (2008), the tracks on Spectrum were largely performed and all produced by Noah Sow. Although mostly sung in English, the lyrics on the album also incorporate elements of French, Wolof, Jamaican Patois, and German, while the sonic tapestry, though rooted in electronic sounds and a pop structure of feeling, features elements of West African and Middle Eastern music, Chanson, Country, and Dancehall Reggae. Despite the broad array of influences, Spectrum sounds extremely coherent and forceful.
2009’s Out Now! (released in German and English simultaneously) hinted at what was to come by creating a cold fusion of more traditional guitar based punk rock sounds with angular New Wave rhythms and melodic songwriting, especially on the stand out track “Chaos” that appears in a different version on Spectrum. Rather than imagining Afropunk as a rigid set of musical rules (three chords, blah blah), Noiseaux sounds Afropunk as a liberationist attitude of personal and political decolonization. As can be heard on “Pinkgurl:” “Check me out! It is me, the Pinkgurl singing. I can sing whatever/wherever the fuck I want to,” and she does, like really, und wie!
The first track, “Bavaropeulhfrancohanseate,” a gentle a cappella declaration of war against those who would expect a straight forward declaration of identity, beautifully illustrates how all the songs use different vocal tracks to multiply Sow’s voice, adding supple harmonies and pointed ad-libs to the rich Noiseaux sound. The way Sow manipulates, refracts, and resounds her loaded voice on Spectrum is nothing short of luminous, especially on the melancholic R&B ballad “Day & Night.” And, even though the political valences of the songs are audible (on “No Democracy” for example), Sow’s lyrics are never preachy but highlight playfully, as does the best Black pop music, the complicated interplay of interpersonal relationships and societal structures of power. For instance, on my favorite song on Spectrum, “Insert Insult Here” (inspired by the Monkey Island video games), Sow’s restrained lead vocals, which alternate between speaking and singing, are accompanied by sweet harmonies, a steady drum beat, xylophone sounds, and synth squiggles and deliver the following lines:
I’d like to help you out. Which way did you come in?
Let me put this in a positive way: fuck off.
Go kiss a shark.
Go high Five a rotor blade
Take a long walk off a short pier
I hope you step on a Lego… made of plutonium
The words are made that much more devastating by the fact that the music does not sound aggressive in any stereotypical way. If all this were not enough, Spectrum also contains the first autistic spectrum pride anthem, the acoustic ballad: “I Am So Reaching Out Right Now (High Functioning Lovesong).” Listening to Spectrum note-by-note—on repeat—day & night, resonating in and beyond the dance, knowing that there can be home, it’s very difficult not to hear a future world that is more liberated and radically inclusive than the one we are inhabiting now.
Spectrum will be officially released in the US on March 15, but you can already download the album here: http://noiseaux.bandcamp.com/album/spectrum
Check out the excellent video for my favorite track from Spectrum here:
NOISEAUX - Insert Insult Here from NOISEAUX on Vimeo.
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The West German public, it was argued, regarded these children with such hostility that the children, if they remained in Germany, would face an unhappy future. Should they remain in Germany, they would have to struggle with discrimination and prejudice on a daily basis. Regardless of which of these two arguments were emphasized, their impact was effectively the same: both state youth welfare bureaus and sectarian associations were convinced of the necessity to act in the best interests of Afro-German children. For their own protection, Afro-German children were seen to be best cared for “among their own kind”—in Africa, South America, or the United States. Curiously, the wishes of the mothers of these children were completely ignored by youth welfare officials and politicians in this debate. “GERMANY’S ‘BROWN BABIES’ MUST BE HELPED! WILL YOU?” U.S. Adoption Plans for Afro-German Children, 1950–1955 Yara-Colette Lemke Muniz de Faria (Source: beautone) |
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| #afrodeutsch #afrogerman #brown babies #1950's | |
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Audre Lorde, Katharina Oguntoye, May Ayim Still from Audre Lorde - the Berlin Years 1984 to 1992 Audre Lorde - the Berlin Years 1984 to 1992 documents Audre Lorde’s influence on the German political and cultural scene during a decade of profound social change, a decade that brought about the fall of the Berlin Wall and the re-unification of East and West Germany. This chronicles an untold chapter of Lorde’s life: her empowerment of Afro-German women, as she challenged white women to acknowledge the significance of their white privilege and to deal with difference in constructive ways. The film explores the importance of Lorde’s legacy as she encouraged Afro-Germans—who at that time had no name for themselves—to make themselves visible within a culture that until then had kept them isolated and silent. Supported by Lorde’s example and instruction Afro-German women began to write their history and their stories and to form political networks on behalf of Black people in Germany. As a result authors such as May Ayim, Katharina Oguntoye and Ika Hügel-Marshall published their works. Audre Lorde - The Berlin Years 1984 to 1992 outlines Lorde’s contributions to the German discourse on racism, xenophobia, antisemitism, classism, and homophobia within the Black movement and the Black and white women’s movement, a discourse alive and growing today. Present-day interviews explore the lasting influence of Lorde’s ideas and the impact of her work and personality. |
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| #afrogerman #Afro-deutsch #afrodeutsch #Audre Lorde #Katharina Oguntoye #May Ayim #Audre Lorde - the Berlin Years 1984 to 1992 | |
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The Fate of Blacks in Nazi Germany *Peace to the Blacks, Jews, Gypsies and Gays who were murdered in Nazi Concentration Camps. And blessings to the kind german citizens who helped hide and protect them. So much of our history is lost to us because we often don’t write the history books, don’t film the documentaries, or don’t pass the accounts down from generation to generation. One documentary now touring the film festival circuit, telling us to ”Always Remember” is “Black Survivors of the Holocaust” (1997). Outside the U.S., the film is entitled “Hitler’s Forgotten Victims” (Afro-Wisdom Productions) . It codifies another dimension to the “Never Forget “Holocaust story—our dimension. Did you know that in the 1920’s, there were 24,000 Blacks living in Germany? Here’s how it happened, and how many of them were eventually caught unawares by the events of the Holocaust. Like most West European nations, Germany established colonies in Africa in the late 1800’s in what later became Togo, Cameroon, Namibia, and Tanzania. German genetic experiments began there, most notably involving prisoners taken from the 1904 Heroro Massacre that left 60,000 Africans dead, following a 4-year revolt against German colonization. After the shellacking Germany received in World War I, it was stripped of its African colonies in 1918. As a spoil of war, the French were allowed to occupy Germany in the Rhineland—a bitter piece of real estate that has gone back and, forth between the two nations for centuries. The French willfully deployed their own colonized African soldiers as the occupying force. Germans viewed this as the final insult of World War I, and, soon thereafter, 92% of them voted in the Nazi party.Hundreds of the African Rhineland-based soldiers intermarried with German women and raised their children as Black Germans. In Mein Kampf, Hitler wrote about his plans for these “Rhineland Bastards”. When he came to power, one of his first directives was aimed at these mixed-race children. Underscoring Hitler’s obsession with racial purity, by 1937, every identified mixed-race child in the Rhineland had been forcibly sterilized, in order to prevent further “race polluting”, as Hitler termed it. Hans Hauck, a Black Holocaust survivor and a victim of Hitler’s mandatory sterilization program, explained in the film “Hitler’s Forgotten Victims” that, when he was forced to undergo sterilization as a teenager, he was given no anesthetic. Once he received his sterilization certificate, he was “free to go”, so long as he agreed to have no sexual relations whatsoever with Germans. Although most Black Germans attempted to escape their fatherland, heading for France where people like Josephine Baker were steadily aiding and supporting the French Underground, many still encountered problems elsewhere. Nations shut their doors to Germans, including the Black ones. Some Black Germans were able to eke out a living during Hitler’s reign of terror by performing in Vaudeville shows, but many Blacks, steadfast in their belief that they were German first, Black second, opted to remain in Germany. Some fought with the Nazis (a few even became Lutwaffe pilots)! Unfortunately, many Black Germans were arrested, charged with treason, and shipped in cattle cars to concentration camps. Often these trains were so packed with people and (equipped with no bathroom facilities or food), that, after the four-day journey, box car doors were opened to piles of the dead and dying. Once inside the concentration camps, Blacks were given the worst jobs conceivable. Some Black American soldiers, who were captured and held as prisoners of war, recounted that, while they were being starved and forced into dangerous labor (violating the Geneva Convention), they were still better off than Black German concentration camp detainees, who were forced to do the unthinkable-man the crematoriums and work in labs where genetic experiments were being conducted. As a final sacrifice, these Blacks were killed every three months so that they would never be able to reveal the inner workings of the “Final Solution”. In every story of Black oppression, no matter how we were enslaved, shackled, or beaten, we always found a way to survive and to rescue others. As a case in point, consider Johnny Voste, a Belgian resistance fighter who According to Essex University’s Delroy Constantine- Simms, there were Black Germans who resisted Nazi Germany, such as Lari Gilges, who founded the Northwest Rann—an organization of entertainers that fought the Nazis in his home town of Dusseldorf—and who was murdered by the SS in 1933, the year that Hitler came into power. Little information remains about the numbers of Black Germans held in the camps or killed under the Nazi regime. Some victims of the Nazi sterilization project and Black survivors of the Holocaust are still alive and telling their story in films such as “Black Survivors of the Nazi Holocaust”, but they must also speak out for justice, not just history. Unlike Jews (in Israel and in Germany), Black Germans receive no war reparations because their German citizenship was revoked (even though they were German-born) . The only pension they get is from those of us who are willing to tell the world their stories and continue their battle for recognition and compensation. After the war, scores of Blacks who had somehow managed to survive the Nazi regime, were rounded up and tried as war criminals. Talk about the final insult! There are thousands of Black Holocaust stories, from the triangle trade, to slavery in America, to the gas ovens in Germany. We often shy away from hearing about our historical past because so much of it is painful; however, we are in this struggle together for rights, dignity, and, yes, reparations for wrongs done to us through the centuries. We need to always remember so that we can take steps to ensure that these atrocities never happen again. Written by A. Tolbert, III (Source: whb2, via diasporicroots) |
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| 948 notes | |
| #history #black history #wwII #nazi #germany #holocaust #afrogerman #afrodeutsch #Afro-deutsch | |
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The West German public, it was argued, regarded these children with such hostility that the children, if they remained in Germany, would face an unhappy future. Should they remain in Germany, they would have to struggle with discrimination and prejudice on a daily basis. Regardless of which of these two arguments were emphasized, their impact was effectively the same: both state youth welfare bureaus and sectarian associations were convinced of the necessity to act in the best interests of Afro-German children. For their own protection, Afro-German children were seen to be best cared for “among their own kind”—in Africa, South America, or the United States. Curiously, the wishes of the mothers of these children were completely ignored by youth welfare officials and politicians in this debate. “GERMANY’S ‘BROWN BABIES’ MUST BE HELPED! WILL YOU?” U.S. Adoption Plans for Afro-German Children, 1950–1955 Yara-Colette Lemke Muniz de Faria |
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| 13 notes | |
| #afrodeutsch #afrogerman | |
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German Brown Babies Arrive in US – Jet Magazine, January 29, 1953 (Source: vintageblack2) |
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| 145 notes | |
| #afrodeutsch #afrogerman | |
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| 3 notes | |
| #afrogerman #afrodeutsch #may ayim #music | |
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| 2 notes | |
| #afrogerman #afrodeutsch #may ayim #film | |